Our vintage, analog Moog Liberation synthesizer, in the original case–complete with Rock’s owner’s manual. And I admit to taking a degree of satisfaction in seeing that a MIDI controller currently on the market, from a wonderful company I wont mention (but whose name rhymes with hysteresis), has a left-hand layout thats remarkably similar. The layout of the left-hand controls went through many versions. We put a concerted effort into making this a performance instrument. I remember having decidedly unofficial conversations with friends and former business associates from Gibson Guitars about what to do and what to avoid.īMF: Were you involved in the design of Liberation? Oh, we had those – but we had fun being quasi guitar designers. Usually, the biggest battles on a project were involved with hitting price points. Liberation is basically the guts of the Radio Shack Concertmate in a performance body. If I remember correctly, the Concertmate came first. RW: The instrument almost designed itself. Oh, yeah – and Liberation!īMF: What do you remember about the Liberation project? RW: I was involved in the design of the Source, the Rogue, the Opus 3, the Taurus II, the Concertmate (for Radio Shack) and the Memorymoog. I was sort of the front-panel ergonomics guy, so I worked a lot with Rich Walborn, Tony Marchese, and Chris Percival in the engineering department.īMF: What instruments were you involved in while at Moog Music, Inc., and in what capacity? RW: Obviously, the other guys in my departments – Herb Deutsch, Val Podlasinski and Robbie Konikoff.
RW: I started as a clinician, and eventually ended up managing the advertising and marketing departments.īMF: Who did you work most closely with during your time at Moog Music, Inc.? The Norlin rep heard me demo a Polymoog and suggested they hire me as a clinician. I was a session keyboard/synthesizer player in the Cleveland area. RW: From mid-1977 until about summer of ∨3. and what was your background that lead you to work for the company? var seller = 'stonesoulvintage' (function() )() inkfrog terapeak Condition: Used, Condition: Very good vintage condition.Actual cover of our Moog Liberation offered in our spring 2015 raffleĪs we continue our spring 2015 raffle of a vintage, analog Moog Liberation, we turn to the people close to the instruments’ earliest roots, like Rock Wehrmann, a working musician, music educator, and the lucky guy who wrote the owner’s manual.Ĭelebrating the History of the Moog LiberationīMF: What years did you work for Moog Music, Inc. If neg feedback is left before attempting to resolve I will interpret that as being a bad communicator and will leave you appropriate feedback in return. Please do not leave unfair neg feedback without first consulting me. If shipping isn't quoted on the auction site, please email us with your shipping info. Payment is due within 3 days of auctions end. Thank you for looking at my auctions.Please email with questions before bidding. The is no plug in power Adapter included.
The condition is very good with minor use.
Realistic Electronic Accompanist Metronome Rhythm Box with Instructions & Box This auction is for a tested working vintage Realistic Electronic Accompanist Metronome Concertmate Rhythm Box with Instructions & Box. Item: 332287929211 Realistic Electronic Accompanist Metronome Rhythm Box with Instructions & Box.
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